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The Violin Concerto was commissioned by Blair Fairchild, an American composer, diplomat, and the patron of the young Polish violinist Samuel Dushkin.
Willy Strecker of B. Schotts Söhne, Stravinsky's music publisher at the time (and also a friend of Dushkin's), asked Stravinsky to compose a concerto for Dushkin. Though Stravinsky was reluctant, citing unfamiliarity with the instrument, Strecker assured the composer that Dushkin would consult about technical matters (White 1979, 368). Stravinsky noted in his autobiography that Dushkin's availability for such advice was a factor in his undertaking the Violin Concerto (Stravinsky 1962, 165) He also sought the opinion of composer and violist Paul Hindemith, who allayed Stravinsky's fears, suggesting that his unfamiliarity with the instrument might help him come up with new possibilities. Stravinsky met with Dushkin at Strecker's residence in Wiesbaden and decided to go ahead.

Diana Semenova, violin
Dominique Beaulieu, conductor
CMD Philharmonic of Paris

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