Poet Wendy Cope joins our editorial assistant Freya Parr over Zoom from her home in Cambridgeshire to discuss how her enduring relationship with classical music has changed throughout the course of her life, with various careers as a primary school teacher, journalist and now poet. Introduced to the piano at the age of five, music has been a constant in Wendy’s life, with many of her poems having now been set by the UK’s leading composers. She tells us all about this fascinating process, and how it feels to hear your words set to music.
Mozart: Serenade No. 13 ‘Eine Kleine Nachtmusik’: I. Allegretto (Vienna Philharmonic/Herbert von Karajan Warner Classics 4768762)
Bach: ‘Wachet auf, ruft uns die Stimme’ Cantata BWV 140 (English Baroque Soloists, Monteverdi Choir/John Eliot Gardiner Deutsche Grammophon 4807512)
Bach: Concerto for Two Violins and Strings in D minor (2nd movement): Isabelle Faust, Bernhard Forck (violins), Akademie für Alte Musik Berlin Harmonia Mundi HMM90233536)
Schubert: Im Frühling (Ian Bostridge (tenor), Julius Drake (piano) Warner Classics 5563472)
Peter Maxwell Davies: Farewell to Stromness (Peter Maxwell Davies (piano) Naxos 950161)
Tibetan Singing Bowls and Ocean Waves Sounds for Relaxation
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