Emissions
Women are an important part of Celtic music. We celebrate their contributions this week on the Irish & Celtic Music Podcast # 665. Subscribe now!
Charlene Adzima, Telenn Tri, Runa, The BorderCollies, Fialla, Natalie Padilla, Adria Jackson, Bettina Solas, Fig for a Kiss, Keltricity, Louise Bichan, Clare Cunningham, Maggie’s Wake
GET CELTIC MUSIC NEWS IN YOUR INBOXThe Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free.
VOTE IN THE CELTIC TOP 20 FOR 2024This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2024 episode. You have just three weeks to vote this year. Vote Now!
You can follow our playlist on Spotify to listen to those top voted tracks as they are added every 2 - 3 weeks. It also makes it easier for you to add these artists to your own playlists. You can also check out our Irish & Celtic Music Videos.
THIS WEEK IN CELTIC MUSIC0:06 - Charlene Adzima “Smash the Brisket/Hunter's House/Maids of Mitchelstown” from The Initiation
Charlene Adzima: fiddle, vocals
4:27 - WELCOME
5:51 - Telenn Tri “Looking at a Rainbow Through a Dirty Window” from The Cat's Meow
Christine Morphett: Harp and fiddle
8:30 - Runa “Until Morning” from When The Light Gets In
Shannon Lambert - Ryan: vocals, bodhran
13:03 - The BorderCollies “The Sweetness of Mary - Clumsy Lover” from To the Hills and Back
Caeri Thompson: vocals
Lisa McCann: bodhran, shruti, vocals
Suzanne Ramos: fiddle
16:33 - Fialla “Fear A' Bhàta” from Home & Away
Katie: Vocals, Guitar, Bodhrán, Irish Stepdancing
21:06 - FEEDBACK
24:50 - Adria Jackson “Eriskay Lullaby” from Troubadour
Adria Jackson: harp, vocals
27:20 - Natalie Padilla “Prairie Flax” from Montana Wildflower Natalie Padilla: fiddle
30:56 - Bettina Solas “Lonely Maiden” from Ruminations and Wanderings
Bettina Solas: autoharp, vocals
34:16 - Fig for a Kiss “Beare Island” from Wherever You Go
Addyson Teal: Vocals, Fiddle
40:23 - THANKS
42:08 - Keltricity “The Plooman” from Live at Terra Firma Radio
Laurel Fuson: Accordion, Piano
Caroline Yeager: vocals, Violin, Piano
46:41 - Louise Bichan “Arnie's” from The Lost Summer Louise Bichan: fiddle, photography
52:43 - Clare Cunningham “Wind in my sails” from ON MY WAY (AR MO BHEALACH)
Clare Cunningham: guitar, vocals
56:37 - CLOSING
57:32 - Maggie’s Wake “Shaken & Stirred” from Maggie’s Wake
Tara Dunphy: tin whistle, flute, fiddle, guitar, banjo and lead vocals
Lindsay Schindler: fiddle and vocals
1:00:58 - CREDITS
The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You’ll find links to all of the artists played in this episode.
Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you’ll get 7 weekly news items about what’s happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage.
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TRAVEL WITH CELTIC INVASION VACATIONSEvery year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We get to know a region through its culture, history, and legends. This fall, I’m taking a group to taste Scottish whisky. We’ll visit at least three of the Scottish whisky regions. Taste a variety of whiskeys, then we will do some light hiking through the Scottish countryside.
You can join us with an auditory and visual adventure through podcasts and videos. Learn more about the invasion at http://celticinvasion.com/
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I WANT YOUR FEEDBACKWhat are you doing today while listening to the podcast? Please email me. I’d love to see a picture of what you're doing while listening or of a band that you saw recently.
Email me at follow@bestcelticmusic.
Steffen Röder emailed a photo from Munich, Germany: “Hi Marc! This St. Paddys I had to be in the hospital in which ill spend the next three weeks due to a chronik pain issue. I was able to sneak in a (light) pint tho and have my banjo with me. I sang some tunes at the nearby lake with noone but some frogs around and enjoyed the moment. I hope you had a good one too! Greetz from Munich, Rusty!”
Gerald Guinn of The Secret Commonwealth emailed a St Pats photo: “Hi Marc! Glad you had good St. Pat's/Birthday! The Secret Commonwealth did as well. We had shows on all three days of the weekend, culminating with our 31st anniversary St. Pat's show at Cedar Glade Brews, in the "city of our birth", Murfreesboro, TN (see attached pic) Now it's on to finishing up album #5! We hope to have it out in early summer. Best!”
Brenda Richardson sent a photo for St Patrick’s Day: “I walked with a group from the YMCA in the 5K St Patrick’s Day Race in Colorado Springs. We heard some Celtic music along our route!”
Michael Maloney emailed a St Patrick’s Day photo: “Morning Marc! Happy belated St. Patrick's Day and Birthday! I feel like I'm still recovering. I play solo at Hugh O'Neill's in Malden, and several shows with my bandmates, The Boston Harbor Bhoys (Waltham Sr. Center, Medford's Ford Tavern, Framingham Elks fundraiser, Quincy's Assembly, and Boston's Green Dragon).
So many songs, so many memories. I loved playing Hugh O'Neill's, where a table of young people requested The Saw Doctor's "N17" and ran out from their tables on the refrain each time to shout out "and the grass is green!".
To the Sr Center in Waltham where the ENTIRE room of 100 people got all the hand - claps right on "Wild Rover" by the 2nd refrain, and the beautiful emotions expressed from our rendition of Danny Boy.
To guests at the Framingham elks getting up to do all the dance moves to "The unicorn song", to seeing old fans from the South Shore of Boston that we haven't seen in 4 years requesting "Raglan Road", to jumping around The Green Dragon with my harmonica and tambourine leading hand claps on 'Finnegan's Wake" getting the whole bar clapping together.
Agh, it was all so wonderful, went through a range of song styles and eras in the Celtic music catalogue, and it was wonderful connecting with audiences from the 20's up to their 90's, who all appreciated the music and experience in their own ways.
It was one for the books! “
